The Paris prosecutor's office is investigating French director Christophe Ruggia for alleged "sexual aggressions" after French actress Adèle Haenel accused him of sexually harassing her when she was an adolescent. Haenel, now 30, first detailed her allegations against Ruggia Sunday on the French investigative website Mediapart.
The French star, who has impressed critics on both sides of the Atlantic with her performance in “Portrait of a Lady on Fire”, said she was the victim of “permanent sexual harassment”, “forced kisses on the neck” and touching for the three years she spent working and promoting her debut film, “The Devils”.
Director Christophe Ruggia strongly denied the claims, with his lawyers saying that he “categorically refuted” any misconduct. On Wednesday Ruggia said
He insisted that he had a “professional and affectionate relationship” with Haenel.
But the actress handed over love letters she said Ruggia had sent her at the time to the French investigative website Mediapart, which spent seven months talking to more than 30 people involved with the 2002 film about an incestuous relationship between 12-year-old siblings.
The directors ex-partner also told the site that she left him after he confessed to being in love with Haenel and of touching her inappropriately.
Haenel, who played a girl with autism in “The Devils”, told a live interview streamed on Mediapart on Monday that she decided to go public after watching “Leaving Neverland”, the documentary about the child victims of US pop star Michael Jackson.
She said her resolve was further stiffened when she discovered that Ruggia was set to make another film with adolescents.
The actress, who has won a string of awards including two French Oscars, the Cesars, said Ruggia “put a system in place to isolate me, to have him at his place every weekend… It was a man of nearly 40 who every week got himself into a room with a young girl who was between 12 and 15 and tried to touch her up.
“There was no ambiguity in the situation… it wasnt romantic, it was pure pressure. I was stuck to the sofa. I froze in the centre of all this.”
She said the experience had traumatised her and that she never wanted to make another film.
The French society of film directors (SRF) said it was expelling Ruggia from its ranks in light of the accusations.